this outstanding “12” is new in stores now! (source: www.deejay.de)
Argy's These Days label is an occasional treat in the world of stripped down tech house, and it makes its first appearance for 2016 with a selection of club-ready remixes from the label boss, tackling various productions from German techno mainstay Paul Brtschitsch. The “Floor Adaptation” of “Green” heads into subterranean pastures, albeit with a powerful beat propelling it, and “Eternal Aspects” maintains that underground mood with a warmer synth repertoire. On the more flamboyant B-side, “Squeezed” takes on a wild old-skool quality perfect for more fiery moments on the floor before “Subbass” continues the jacking theme in fine style.
Paul´s “into the blue” Edit to Ralf Hildenbeutel´s “beyond” now free downloadable here:
preview to paul´s 8th techno lonplayer release march 2016
LP´s:
Surftronic, Venex, Memory, Rundfahrt (Taksi), Live, Me Myself&Live, Beijing Rock… upcoming 11.3.2016: tomorrow, Today, Yesterday
paul´s passion for trip hop production is unbroken
Paul Brcic teamed up with Ingo Boss from Cocoon to form deeply grooving summerish blends of atmospheric Techno. Released on Florian Meindl´s imprint Flash Recordings
be sure you don´t miss the upcoming triology…
it´s techno time again on rootknox. after their lp debut “leitmotiv” with remixes by the black dog, cari lekebush and terrence fixmer puresque comes along with their dark temple lp. medilllin meets frankfurt, michael kunz meets paul brcic.
release 15th of april, 15th of may & 15th of june.
money, money, was recorded in may 1976 by swedish pop group ABBA. 1976, also the year paul brtschitsch was born. Propably one of many reasons he always had a special relation to the song ever since. almost 40 years later he felt like editing a club version out of it suiting the Song into his techno & house sets. with a wink to the actual development of the high payed elite dj league… take a closer Look, listen and you will recognize it is raining while the chorus say “must be sunny”…
Not only this is the enhancement of the wooden vinyl series in its ultimate manufacturing developed perfection, also the release comes along with an own wine made by young vine dresser Martin Ladach located in the famous wine area city of Hochheim am Rhein. Tasty! - Wine& music have one thing in common…guess what?
we always receive amazing feedback for the music we´re giving famous djs for free. see below
source: http://www.5chicago.com/features/the-problem-with-digital-music/index.html
Rootknox welcomes Triangle Eyes! - Their target is to create an ultimate Techno live act based on 100% analogue modular synthesis.They Come to hypnotize you. Knowing each other for almost 20 years, Konstantin, Misha and Alex decided to join their forces together in early 2011, backed up with each individual experience and knowledge of electronic music history, production and performance. They share their own “trianglized” vision with a wide audience of electronic music lovers and keep it as much live as possible in order to give to each individual show an unique, unrepeatable and original feeling…“Diez y Siete” is an outstanding epic Techno Track Paul discovered during a Set of Triangle Eyes Member Alex Tolstey at a club both played together in Istanbul. No doubt, it was time for another Boshke-Rootknox collaboration.
featuring tracks and remixes by ANJA SCHNEIDER, KOLLEKTIV TURMSTRASSE, PAUL BRCIC, BROMMAGE DUB, MR ROD
As a multifaceted musician and sound virtuoso, Paul Brcic has been captivating the hearts of music lovers everywhere for the last seventeen years. His love for driving, deep grooves finds its expression not only with his numerous gigs around the world, but also in more than over 50 of his singles and 10 of his albums to date. The Rootknox label, Paul’s own personal creation, is celebrating its 7th birthday this year, a rarity in the time of the increasingly fast moving business
70 Vinyls to our puresque label debut, exclusivley handpainted by the Artisgroup Vage
distributed by: http://www.spacehall.de/
early support by laurent garnier, ken ishi, ben sims, o. huntemann, carl cox, adam beyer, joel mull, tiefschwarz and many more
get it here http://www.beatport.com/release/beijing-rock-remixes/1066451
brcic´s re-edit of “vapour space”
recording of a Brcic “handmade” exlusive liveset at StudiorTV - Laptop free & improvised
“Auf Peking Rock, dem siebten Soloalbum von Paul Brcic (bisher Brtschitsch), setzt Paul auf eine facettenreiche Sound Explosion. Das Album Beijing Rock ist eine ins feinste technische ausgearbeitete Detail Produktion mit organischen, lebendigen, erfrischenden Sound. Die vier Tracks starke EP gefällt von der ersten bis zur letzten Maßnahme und wird garantiert auf Reisen durch einige Clubs gehen und für schweisstreibende Nächte sorgen. Der Frankfurter DJ Mr.Rod und Malte “Grow” unterstützen Paul in einem Titel der durch und durch gelungenen Scheibe.”
8.5 / 10
“Me, Myself & Live”, erschienen vor gut zwei Jahren, war eines der besten Neo-House-Alben der ersten Dekade der Zweitausender, wurde aber sträflichst links liegen gelassen von Kritik und Publikum. Komplett unverständ- und unverzeihlich war das, und dieses Schicksal DARF “Bejing Rock” nicht auch wieder zuteil werden - daran müssen wir alle arbeiten, das muss uns Anliegen und Ehrensache sein. Auf “Bejing Rock” geht es nun teilsweise recht ravig zur Sache mit Breaks und schier endlosem Groovefeuerwerk wie in “Sneep”, teilweise knüpft das Album aber auch an der housigeren Seite von “Me, Myself & Live” an, wie im hittigen Titeltrack mit seinem offensiven, aber unpeinlichen ‘Orientalsample’. Und es wird sogar die viel zu vernachlässigte Hip-House-Tradition weitergepflegt mit coolem Rap und sexy Funk-Chords in “Funk The Limit”. Herausragend aber: Das supertrippige “Traumschiff” und das an Jim Morrison gemahnende “Rosengarten” mit locker-lässigem “Dabdadadadamm” Scatvocals und einer sich schier ewig immer weiter hochschraubenden Spannungspirale.“ read online: http://is.gd/3cjEIb
preview listening: http://snd.sc/Q3Rk79
Das Label Rootknox zelebriert das Schwarze Gold mit fast sakraler Verehrung. Gepresst auf extra-schwerem Vinyl, limitiert auf 60 handnummerierte Exemplare und mit einem Label aus Echtholz versehen, hält man auch mit dem sechsten Release ein echtes Sammlerstück in den Händen. Nach Kooperationen mit Kollektiv Turmstrasse, Anja Schneider, John Selway, Martin Wörner, Rhauder, Mariano dc & Jesper Dahlbäck haben sich diesmal Mr. Rod und Paul Brtschitsch hinter den Reglern zusammengefunden. Die A-Seite gehört dem Track „Use it“, der solide Handwerkskunst ist. Der wahre Schatz verbirgt sich aber auf der B-Seite: Das Rework von Phonosynthese’s „Perfect World“ baut mit seinem langen Intro eine Ambient-artige Grundstimmung auf, die schon erahnen lässt, dass in wenigen Momenten eine echte Granate gezündet wird. Und so ist es dann auch: Der Beat setzt ein und zu ihm gesellt sich ein wohliges Kribbeln an den Armen – Gänsehaut! Brtschitsch & Mr. Rod haben es mit ihrem Rework geschafft, eine Waffe für alle Open Air-Dancefloors zu schmieden, die ihre Wirkung nicht verfehlen dürfte.
We´re proud to complete the second triology on rootknox. we´re looking back to 5 releases beeing thankful for the cooperation with following artist so far: kollektiv turmstrasse, anja schneider, john selway, martin wörner, rhauder, mariano dc & jesper dahlbäck!! Our sixth release is “looking for the “perfect world”. 60 handmade vinyl copies with real wooden labels. back to the rootknox! soon on decks…
After some touch ups in the Studio back in Germany, in total it took him nearly 8 weeks to finalize this title. In times where thousands of tracks are released weekly, Paul prefers to spend even more time. “I hope John still talks to me” so Paul, since he was asking him to edit his remix arrangement several times. Finally he is very content with the results, the “timeless, nearly jazzy sounding” remix version of P.Campbell and John´s brilliant soundscapes with this amazing deep groove…it´s a Rootknox!”