• title: Brommage Dub Retuned 2010
• artist: Jesper Dahlbäck
• remixer: Paul Brtschitsch / Rhauder
• format: vinyl and digital
• cat.no: Rootvd005
• relesase date: december 2010

Following the 2010 remake of “Clamber”, we´re proud to welcome Jesper Dahlbäck on board with his late 90's founded Brommage Dub project. The first track is all about producing electronic music without the help of Ableton and modern audio sequencing programs, taking us back to the days of tweaking synthesizers and arranging those live on the mixing desk into a 2-track dat recorder - giving soul and depth to the music. The mail conversation betwween Paul and Jesper gives you more details on this topic.

The Vinyl is limited to 125 serial numbered copies including an exclusive track by Britschmalro feat. Malte.

Jesper wrote to Paul:

…there might be a dat master somewhere with the track but maybe you will not use anything from the original or sample the vinyl… :) i'm not 100% sure where this dat tape could be, it might be in the studio. /j

hey jesper,

i hope i´m still finding you on this old myspace medium ,-) hope you´re doing fine & well! so we´re about to release the “classic” now (sorry the closing of our old distributor was confusing the release shedule a bit) therefore me and a friend are about to re- programm the whole track to get proper remix parts out of it..and maybe you still got some helpful and important information concerning synthesizers which were used in that track? we found out so far: tr 909 (of course cr 78 (tamburins) microwave (the hook piano like chords) right? roland space echo electro harmonix tube zipper (for the feedback sounds in the end?) very important the bassline wich turns into a super fat synth sound…what was that? a juno 106 or somethin´? this is the only sound which is really tough to get… thanks for your help, i keep you updated with the remixes and the release!

all the best, paul

hey!

just quickly, this is what i remember from the studio….

- roland jx3p making the chords - roland space echo of course - i think we used a roland r8 for most of the drum sounds except: - a clap trap making… well, the claps… BUT i think it's also sampled into a casio sampler! that is why there is fragments of the claps playing as extra percussion - clap trap is doing the cr78 noisy percussion sound at recording time - roland system 100 korg ms20 for the background noises and i think the resonance filters of the ms20 is what's making the feedback sound at the end! - possibly it might be the trig from the tr707 controlling the clap trap - i think it's the juno 60 playing the bass line - most likely a tr707 making the ride cymbal - a dbx 163 was more or less compressing the whole drum secition - atari syncing everything ghetto mixing one live recording take down to DAT :) one thing about the track to be mentioned is that simon hartley, who was previously working with LFO, happened to be in the studio helping us out with the system 100 and the ms20 . so i think this time he deserves to be credited on the record! that's about it i think! good luck !

i'm very curious to hear your mix! /j

• title: PERFECT WORLD
• artist: paul brtschitsch, Mr Rod
• format: vinyl and digital
• cat.no: Rootvd006
• relesase date: june 2011

We´re proud to complete the second triology on rootknox. we´re looking back to 5 releases beeing thankful for the cooperation with following artist so far: kollektiv turmstrasse, anja schneider, john selway, martin wörner, rhauder, mariano dc & jesper dahlbäck!! Our sixth release is “looking for the “perfect world”. 60 handmade vinyl copies with real wooden labels. back to the rootknox! soon on decks…

• title: PRE 10 INCH *BEIJING ROCK*
• artist: Paul Brtschitsch
• format: vinyl and digital
• cat.no: Rootvd007
• relesase date: September 2012

the limited 10 inch comes along with 2 tracks previewing the album + a sticker.

Mit der ersten Singel-Auskopplung „Bejing Rock“ schiebt Paul Brcic (Paul Brtschitsch) eine treibende und zugleich gefühlvolle Produktion in die Welt der elektronischen Klänge. Ein unverkennbar pulsierender und an Detroit-Techno angelehnter Beat, smooth gesetzte Percussions und ein ergreifender Bass bilden die Basis und ziehen ohne Umwege direkt in den Bann. Liebevoll arrangierte 40er Jahre Samples modellieren das Herzstück des Clubbangers und stehen in perfekter Symbiose zu den raumfüllenden Synthys und FX-Sounds.

Ohne Zweifel zündet Paul Brcic mit der ersten Aussicht auf sein im Herbst 2012 erscheinendes Album ‚Bejing Rock‘ einen facettenreichen Soundsprengkörper, immer mit einem Auge auf produktionstechnische Details und organischen Klang. „Bejing Rock“ durchdringt mit dem ersten Takt, nimmt mit auf eine Reise außerhalb der Clubs dieser Welt und katapultiert genauso schnell wieder in schweißtreibende und ausufernde Nächte. Wunderbar ehrlich – Paul Brcic in reinster Form.

Auf der B-Seite rattert „Acid & Camambert“ wie auf Schienen durch die Soundgefilde und versetzt durch klare Basslines und stetig wachsende Beatgeflechte einen Adrenalinschub nach dem anderen. Herrliche Aufbauten und Effektdramaturgie beseelen „Acid & Camembert“ mit einer unglaublichen Energie und fast acidnahen Charakterzügen.

• title: BEIJING ROCK
• artist: Paul Brcic

format: cd and digital

• cat.no: Rootcd0003/ Root017
• relesase date: September 2012

Beijing Rock, the seventh solo album from Paul Brcic (previously Brtschitsch), catapults a simultaneously driving and emotional production into the world of electronic sound. By the same token, it literally pulsates with love for Detroit techno, smoothly laid percussion and gripping bass.

Beijing Rock consciously opens the gates of this world and flows through impressions of sound and aesthetics without losing sight of the bare essentials. It is the true soul of techno with respect to its authenticity.

The album utilizes its own “Soundtrashthetic” outright and buoyantly moves self-confidently through musical decades. Lovingly arranged samples from the 40s, live trumpets, and vocal nuances underscore the wonderful ease of the LP. Genre limits have no place in Paul Brcic’s universe, where an almost rebellious attitude exists and the production is inspired with pleasant, subtle progression.

Without a doubt, Paul Brcic sets off a multi-faceted sound explosion with his album, Beijing Rock, always keeping one eye on production / technical details and the other on organic sound. Beijing Rock immediately invades the senses from the first measure, taking you on a journey outside of the clubs of this world and just as quickly pulling you back to the sweat-inducing, wild nights. Paul Brcic in his purest form.

• title: BEIJING ROCK REMIXES
• artist: Paul Brcic
• remixer: joel mull, paul mac, paul brtschitsch
• format: digital
• cat.no: Root17
• relesase date: April 2013

• title: ROOTKNOX TURNS 7
• artist: Paul Brcic, Tristesse de la Nuit, Joel Mull, Anja Schneider, Kollektiv Turmstrasse
• format: digital
• cat.no: Root018
• relesase date: August 2013